Book 2, Chapter 31
Book 2, Chapter 31
Selene’s POV
The U-Haul arrives at seven in the morning, which seemed brilliant when we scheduled it and now feels like a crime against basic human decency.
I'm standing on the sidewalk clutching coffee like it contains the meaning of life, watching Axel direct movers with military precision. Behind him, Mateo is having a heated argument with a floor lamp that refuses to fit through the doorway.
"¡Maldita lámpara!" He twists it sideways, then diagonal, then upside down. "This is physically impossible. This lamp is mocking me."
"It's a lamp," Axel says without looking. "It doesn't have opinions."
"You don't know that. You don't know its life."
The triplets, strapped into their massive triple-wide stroller, watch the chaos unfold with varying expressions. Sören looks suspicious, which is his default. Elio is delighted, bouncing in his seat. Aria is already plotting escape, her small fingers working at the safety buckle with disturbing determination.
This is really happening.
After two years of building a life alone, after the scandal and the statement and everything that came after, I'm moving into a house with two men who might be my children's fathers. The thought still feels surreal, like something that happens to braver people who make decisions without spreadsheets and contingency plans.
The house itself is beautiful. A craftsman with a wraparound porch, white trim against sage green siding, enough bedrooms for everyone plus a nursery that catches morning light. Axel found it, naturally—researched neighborhoods, school districts, crime statistics, commute times to the facility.
Mateo's contribution was declaring the kitchen "perfect for Sunday breakfast chaos" and claiming the living room corner for his "dad chair" despite owning zero furniture.
"The lamp won, didn't it," I say as Mateo emerges, lampless and defeated.
"The lamp won." He runs a hand through his curls. "I'm leaving it in the truck. It can think about what it's done."
By noon, the living room is a maze of cardboard boxes, and I've lost count of how many times I've told Elio that no, we don't climb moving boxes—only to find him halfway up another stack with the determination of a tiny mountaineer who's never heard of gravity.
"How does he move that fast?" Mateo stares at Elio, now attempting to summit a tower labeled KITCHEN - FRAGILE. "He has tiny legs. Tiny. How."
I extracted my son from his cardboard Everest. "He's motivated."
"He's a chaos agent sent to test us."
Aria, meanwhile, has declared bubble wrap as her mortal enemy. She's systematically destroying every piece she can reach, small fists pounding with fury that suggests the bubble wrap wronged her in a past life. Sören watches both siblings with an expression I can only describe as note-taking.
I'm raising a tiny supervillain. This is fine.
"Okay, I'm building this bookshelf," Mateo announces, dropping to the floor surrounded by wooden pieces and hardware. "How hard can it be?"
Axel pauses mid-box-stack. "Did you read the instructions?"
"Instructions are suggestions."
"They're literally called instructions."
"In Swedish. I don't speak Swedish."
"They have pictures."
"The pictures are lies."
Twenty minutes later, Axel finds him holding two pieces that clearly don't connect but that Mateo is trying to force together through determination alone. Without a word, Axel sits down and starts assembling. Mateo switches to "supervisor" mode—sitting on a box, eating chips, providing commentary.
"See, you've got natural talent. Very Bob the Builder energy."
"Please stop talking."
Their bickering fills the house with noise—good noise, lived-in noise, the kind of sound that turns a building into a home. I catch myself pausing mid-unpacking just to listen to them argue about whether the shelf is level or "level enough".
During naptime, I escape to the nursery.
The room is empty except for three cribs against the wall like promises waiting to be kept. The walls are bare—we haven't decided on paint yet. Another decision to make together. Another compromise to navigate.
I run my hand along the window frame, feeling afternoon sun warm on my skin. From here I can see the backyard, small but fenced, with a corner perfect for a sandbox when the kids are older.
When the kids are older. I'm thinking in the future tense now. That's new.
The door creaks behind me. Axel appears, sawdust in his dark hair.
"Taking a break?"
"Processing." I lean against the window frame. "This is really happening, isn't it?"
He crosses to stand beside me, close enough that I feel the heat of him through his t-shirt. "Having second thoughts?"
"No. That's what's terrifying." I turn to face him. "I keep waiting for the other shoe to drop. For something to go wrong."
"Maybe it's not too good." His hand finds my waist, thumb tracing circles through my shirt. "Maybe it's just good. Maybe we're allowed to have that."
"When did you become an optimist?"
"Around the time I started waking up next to you."
My heart does something stupid and fluttery, which is ridiculous because we've been together for months and I should be immune to his devastating sincerity. I'm not.
"That's very smooth. Did you rehearse that?"
"Only twice." The corner of his mouth twitches. "Too much?"
"Perfect." I stretch up to kiss him, brief and sweet. "Don't tell Mateo. He'll be jealous he didn't think of it first."
By evening, the living room is slightly more navigable. The babies are in their high chairs, covered in pureed sweet potato they're distributing across every surface. Mateo's doing his terrible opera voice during feeding, the one that makes Aria giggle and Sören look personally offended.
We end up eating pizza on the floor, backs against the couch, while sunset paints the windows gold.
"Tomorrow we tackle the kitchen," Axel says, making a list on his phone. "Then the nursery—"
"Tomorrow we tackle nothing," Mateo interrupts. "One day of not being responsible adults. Then we can be responsible the day after."
They both look at me. The tiebreaker. As always.
"One day," I agree. "But baby stuff stays accessible. Non-negotiable."
"Done." Mateo grins. "See? Compromise. We're good at this."
I watch them—Axel's steadiness, Mateo's warmth, the easy way they exist together, how they both turn toward me like I'm the center of something.
Two years ago, I sat in a different apartment, alone and convinced I'd shattered my life.
Now I'm here, covered in pizza grease and sweet potato residue, surrounded by boxes and chaos and babies babbling in high chairs. Surrounded by a family I never expected.
"What are you thinking?" Mateo asks.
"That I have no idea what I'm doing." I reach for both their hands. "And I'm doing it anyway."
"Doing it anyway," Axel repeats. "That should be our family motto."
"I'll get it embroidered on a pillow," Mateo offers. "Very Pinterest."
Later, lying tangled together in our new bedroom, I stare at the ceiling and let myself feel it. The hope. The terror. The strange certainty that this might actually work.
Tomorrow there will be boxes to unpack and decisions to make.
But tonight, Mateo's breathing is evening out against my shoulder and Axel's arm is heavy across my waist and somewhere down the hall, three tiny humans are dreaming in their new room.
We built this from wreckage. From the worst night of my life and a drunken mistake that became three miracles. From two men who showed up and stayed when staying was the harder choice.
Or maybe—the thought creeps in as sleep tugs at me—it's just the beginning, and we haven't seen what's coming yet.
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